Atlas. Introductory-timeline.
Synthetic-visual section of reconstruction of the fragments of an operative horizon, organized by thematic lines, index reflecting the structure of the exhibition:
- topographies of the works;
- genealogies of the students and architects ascribable to the School of Milan (among the many Broggi, Beltrami, Moretti, Portaluppi, up to Rogers, Canella, Rossi, Gregotti, Viganò);
-the universe of the Central Commission for Artistic-Industrial Teaching and its magazine "Arte Italiana Decorativa e Industriale";
- Boito's writings and the resumption of studies.

Architecture: projections. Project Drawings.
The design workshop of Camillo Boito is still a complex of events to be studied. His nine buildings, which are still well-preserved and recognizable monuments, constitute an idea of a public city, the beginning of a municipal system of service facilities, made up of schools, museums, nursing homes, hospitals and cemeteries.
However, his scattered archives require further study, in the relationship, for example, with the workers available in his School and in the Academy, in order to understand the origin of carefully studied and designed architectures, both in the spatial articulation of the common bodies and in the sophisticated material and decorative apparatus, conceived line by line by Boito.
The archive of materials relative to Camillo Boito's architectural projects is notoriously scarce and fragmented in the public institutions for which he worked.

Architecture: projections. Current Photographic Campaign of Architecture.
A special current photographic campaign of Camillo Boito's architectural works in Milan, Gallarate, Padua and Venice has been carried out (filming by Federico Brunetti).
Spherical immersive photographic projections will also be set up.

Architecture: reconstructive models.
A series of reconstructive models will represent at various scales "the city of services" by Camillo Boito, the different types, the decorative apparatus, the original spatial conception of the stairwells and interiors, with:
- specially executed and thematically focused reconstructive scale models;
- didactic work models of the students.

Industrial Art: The Central Commission and Italian Decorative and Industrial Art.
The magazine "Arte Italiana Decorativa e Industriale" (AIDI) is the instrument of dissemination of an institutional didactics and pedagogy whose specific focus is the world of artistic production in the era of the industrial revolution.
AIDI stands outside the epistemological and encyclopedic paradigm and, as a magazine, acts as an organ of communication and social diffusion of design knowledge and know-how. In this it anticipates other and more aggressive editorial projects linked to avant-garde artistic movements.
The magazine is the most striking product of the Central Commission for Industrial Artistic Teaching (1884-1908), a ministerial body composed of the main authorities in the artistic and architectural fields, which for a quarter of a century provided for an overall re-examination of the artistic and cultural heritage of the country, constructing a "grammar of Italian ornament".
The Politecnico di Torino with the laboratory of the Library System provided for the new digitalization and optical recognition of the AIDI magazine as part of the program of valorization of the archives/site of the consortium project.
The Turin Polytechnic University with the laboratory of the Library System provided for the new digitalization and optical recognition of the AIDI magazine as part of the program of valorization of the archives/site of the consortium project.
The physical exhibition (and the virtual sequence) of the large volumes of the magazine "Arte Italiana Decorativa e Industriale" is itself exceptional for its graphic and editorial quality, as well as for its representation of the original principles and techniques of the very concept of "design" understood in the modern sense, in the search for a common language between architect and artisan through the work of the Commission:
- the approximately 20 volumes of the magazine and open volumes on illustrated plates;
- didactic work sheets of the students on themes and figures treated in the magazine.

Archives: books, publications and documents about the school.
The patrimony of the Archives and Historical Library of the Politecnico di Milano relative to Boito is exhibited and consists of books, publications and documents relative to the classes and students, opened as in an anthology.

The journey: from the Boito photographic fund to the Brera Academy.
Starting with reproductions of the precious photographic fund of Camillo Boito conserved at the Brera Academy, a European topography of Boito's architecture and decorative models is represented, as well as the first strong impulse towards photography as a scientific documentation of architecture and applied arts.

From current didactics
In the exhibition are presented didactic works of the students of the AUIC School of Politecnico di Milano, applied on two main themes
- the realization of reconstructive models at different scales of some of Boito's architectural works;
- the reading of AIDI magazine with critical and visual cards of themes and authors presented in it.

Digital Boito: projections. Concluding Section.
The construction and networking of the digital archives and website involves the organization of multiple archival sources.
In the exhibition, projections will be set up with different reading paths starting from the nature of the materials.
The website is proposed for a progressive enlargement of the digital archives, from architecture to the documentary sources of the artistic tradition and industrial archaeology, to factories, schools and production districts, up to the architects who were Boito's students in the so-called School of Milan, and for a didactic dissemination, indexing, metadata and network of the archives involved.